The lives of a Shakespearian theater troupe and their struggles to stage a production of 'Hamlet'.

Follows the struggles of a small theatre company attempting to adapt a Shakespeare play.

The Sound and The Fury takes us closer than ever before to rediscover the war for what it truly is: the most significant event of the contemporary world. Navigating events and continents, each episode alternates between a global approach and close-up incursions into the lives of men and women caught in the hell of World War II. From the Japanese invasion of Manchuria to the siege of Stalingrad, from the attack on Pearl Harbor to the battle of El Alamein, the series narrates World War II on a "planet level" to place it on a truly global scal

This incredibly entertaining profile of legendary funk/R&B icon Rick James captures the peaks and valleys of his storied career to reveal a complicated and rebellious soul, driven to share his talent with the world.

Series looking at the revolution in 20th century music. Wrecking Ball It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. Free for All Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. Easy Listening Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.

A bereaved mother seeks revenge on the person responsible for her daughter death.

Hearing about the revolution in the hospital, the sailor Gulyavin goes to Petrograd, and from there with a detachment of Ukrainian volunteers he is sent to Ukraine. The troop is joined by cavalrymen under the command of the anarchist Lelka. The chief of staff, Stroyev, reproaches Gulyavin with negligence - you cannot take an untested detachment. However, the desperate courage of Lelka in battle with the White Guards gives Gulyavin not only respect for her, but love...

A bereaved mother seeks revenge on the person responsible for her daughter death.

Fury is an American western television series that aired on NBC from 1955 to1960. It stars Peter Graves as Jim Newton, who operates the Broken Wheel Ranch in California; Bobby Diamond as Jim's adopted son, Joey Clark Newton, and William Fawcett as ranch hand Pete Wilkey. Roger Mobley co-starred in the two final seasons as Homer "Packy" Lambert, a friend of Joey's.The frequent introduction to the show depicts the beloved stallion running inside the corral and approaching the camera as the announcer reads: "FURY!..The story of a horse..and a boy who loves him." Fury is the first American series produced originally by Television Programs of America and later by the British-based company ITC Entertainment.

Alex, a young actress, is sexually assaulted at a New Year’s Eve party at a friend’s house. That night, she never manages to see the face of her aggressor, a fact that will end up eating away at her. Throughout the following year, she will have to face feelings of guilt, disgust and shame. While Alex tries to channel all her pain through theatre, where she takes on the role of the famously vengeful Medea, her brother, Adrian, must face the guilt he feels at not having been able to protect his sister and his impulse to let himself be carried away by his own decisions. What were once the typical conflicts you might expect between any siblings, give way to much more extreme and complex emotions.